Dravidian Futurities: A Creative Process

نویسندگان

چکیده

In this article, author and artist Meena Murugesan analyzes their creative process research in the making of Dravidian Futurities, a multi-channel video installation with live performance. Methodologies auto-ethnography, visual aesthetics, embodied movement practices, Tamil historiographies, queer futurities, caste analysis, poetics are applied to treat issues at hand. Futurities draws connections between communities South Indian Sri Lankan Shudra Dalit backgrounds, Dravidian, Afro-Indian peoples, depending on historical era examined. As someone caste, agriculture, land, earth, as being rooted identities, opposition brahminical systems. Therefore, forms somatics, improvisation, nature-based embodiment practices investigated possible inroads grapple within brahminized bharatanatyam. Notions futurity place-making unearthed from depths Ocean hypothetical sunken landmass called Lemuria or Kumari Kandam that might have once connected India, Lanka, Madagascar. also dreams into existence speculative utopia we co-build, similar which mystic saint Guru Ravidas imagined five hundred years ago Begumpura (“land without sorrow”) casteless, stateless utopia.

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ژورنال

عنوان ژورنال: Arts

سال: 2023

ISSN: ['2076-0752']

DOI: https://doi.org/10.3390/arts12050203